Page 236 - ΝΑΥΤΙΚΑ ΧΡΟΝΙΚΑ - ΟΚΤΩΒΡΙΟΣ 2024
P. 236

MISSION TO GENOA


                                                                     interactive in the museum, filled with historical
                                                                     reconstructions, testimonials, and various inter-
                                                                     active multimedia stations.
                                                                     Following the city’s historical path, this part of
                                                                     the museum features a partially reconstructed
                                                                     Genoa at the turn of the century, allowing visitors
                                                                     to re-live the footsteps of Italian emigrants arriving
                                                                     in Genoa and waiting to board a ship bound for
                                                                     the Americas. The exhibition showcases a recre-
                                                                     ated cityscape with houses, workshops, hotels, a
                                                                     school, and shipping company offices and agen-
                                                                     cies. Immigrants would walk through the bustling
                                                                     “caruggi” of Genoa, heading towards the port’s
                                                                     customs offices and then to the harbour, where
                                                                     large steam-powered ocean liners awaited to
                                                                     transport them to the New World.
                                                                     At this point, visitors can “embark” on the “Citta
                                                                     di Torino” steamship, a recreation model that
                                                                     includes the most characteristic parts of an ocean
                                                                     liner – from the wooden embarkation ramp and
                                                                     third-class accommodation to the upper decks
                                                                     reserved for better-off passengers who could
                                                                     afford a first- or second-class cabin, luxurious
          Representation   The second floor of the Galata Museo del Mare   dining rooms, and the best amenities available.
          of third-class   reveals the transformations that Genoa experi-  The interior of the ship has been accurately repro-
          accomodation on a   enced in the late 17th and 18th centuries, as it   duced based on shipbuilding plans of the period,
          transatlantc ocean
          liner.          recovered from a crisis, achieving financial and   allowing the exhibition to immerse visitors in the
                          maritime rehabilitation. Already in decline, the   lives of passengers onboard, the atmosphere, and
                          Genoese Republic finally fell following the direct   the conditions they had to endure or comply with
                          intervention of Napoleon at the end of the 18th   during their journey.
                          century. The following years were full of changes   After “disembarking” from the “Citta di Torino”,
                          both for Genoa and maritime technology, with the   visitors walk through halls presenting the lives of
                          famous ships-of-the-line making their emergence   Italian immigrants arriving in “La Boca” in Buenos
                          and establishing themselves as the dominant   Aires, the “fazendas” of Brazil, or “Ellis Island” in
                          force in the naval fleets. This area of the museum   the US, the three major destinations for Italians
                          includes halls dedicated to storms & shipwrecks,   at the time. It is worth noting the magnitude of
                          the nautical sciences, shipbuilding and the brig   people emigrating from Italy to the New World. For
                          “Anna” – a protagonist of the museum’s second   instance, between 1876 and 1914, approximately
                          floor. This vessel’s bridge has been installed at full   2 million Italians arrived in Argentina alone. For
                          scale, helping visitors discover how the ship was   many of these people, Genoa would be the last
                          organised: from the captain’s cabin to the galley,   they would see of Italy.
                          the hold and the crew's quarters, the “Anna” is   Wanting to draw parallels with the modern era,
                          a prime example of a small-size vessel from the   the museum's curators have included an exhibi-
                          Age of Sail.                               tion on contemporary emigration entitled “I am
                          The third floor of the museum is almost entirely   Italian too”, showcasing among other themes the
                          dedicated to the Memory and Migration exhibi-  main events that marked the history of emigration
                          tion, which follows the historical path of 29 million   in Italy.
                          Italians who emigrated from their home country to   Moving onwards, on the third floor of the museum,
                          places like Argentina, Brazil, and the United States   the Galata Museo del Mare presents the so-called
                          during the late 19th and early 20th centuries.   Shipowner's Room, which chronicles the evolu-
                          During that period, Genoa established itself as the   tion of commercial shipping, from traditional
                          main Italian port for embarkation to the Americas.   wind-powered sailing ships to modern-era ship-
                          With hundreds of thousands of emigrants arriving,   ping. With a special focus on Genoese shipown-
                          Genoa managed to solve its financial woes, and   ing families, the Shipowner’s Room highlights
                          many Genoese shipowners made the transition   the Genoese shipowning community’s journey
                          from sail to steam, enabling them to compete with   through the challenges and losses of two world
                          foreign competition. This floor is perhaps the most   wars, the economic crises of the Interwar period,


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